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The first sound that is obviously not metallic comes from a cluster of chestnut shells attached to a bamboo handle with hemp-twisted rope. The second is from a plastic ratchet. A long all-thread rod (also mounted on a wood handle) allows the artist to play the edge of this large (28") wind gong with a ratchet-like appearance. Various lids to metal deco-art vases can also be used to attack the gong and also resonate themselves. A cardboard tube is a common device used to create friction on the surface without any danger of mutilating the metal. A turned and grooved wooden rod is also used on the edge, but with a much softer texture.

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from Heavy Metal - Phaze Two, released March 1, 2014
Ken Moore-performance and recording.

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Moore/Myers Ohio

Ken Moore has been using sound as music since 1975. This site began as a promotion for the Moore/Myers band, which released two albums in the 1980s. Now, Ken has expanded his talents to include percussion and abstract recordings from the Gong Room. With the addition of Short Story, ACS is creating even better adventurous sounds, more than ever before. ... more

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