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Oche de Leah

from Tempus Fugit by Ken Moore

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This was a very elaborate production, in that it was pre-recorded in part and played backwards in the studio, while live instruments were played in sync and recorded at the same time. If any one thing had failed, this recording would never have made it to the album. A Lowrey organ, a Hammond M-2, an ARP SE and a Minimoog synthesizer were used with an echo-plex tape machine to produce all the layers of sound complementing the synth track playing over the speakers. Also available on the Convictions From My Extraction CD, which is a limited edition from MDN.

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from Tempus Fugit, released July 9, 2012
Ken Moore
all composition, performance, recording, mixing and production plus photo

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Moore/Myers Ohio

Ken Moore has been using sound as music since 1975. This site began as a promotion for the Moore/Myers band, which released two albums in the 1980s. Now, Ken has expanded his talents to include percussion and abstract recordings from the Gong Room. With the addition of Short Story, ACS is creating even better adventurous sounds, more than ever before. ... more

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