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by Elastic Collision

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about

This is the second album by avant garde percussion/synthesizer group, Elastic Collision, which is the duo of Frank Ashley, Jr. and Ken Moore (of Moore/Myers). Their first album, Listening at the Speed of Sleep, was basically a live recording, whereas this release, sub-titled "inner being outer space", is more of a studio album using the live tracks recorded the same way as their first, but with overdubs by Ken Moore, who not only plays the percussion here, but adds bass guitar as well. Fans of Elastic Collision will find this a bit more disturbing than their first album, as darker corners of the universe are explored here, evidenced by their "song" titles.

credits

released July 27, 2013

Frank Ashley, Jr.-Emu Emax I sampling keyboard, Mini-Moog synthesizer, chimes, bells, cymbals, gong, and odd percussion items.
Ken Moore-Musser orchestra bells, gongs, bells and cymbals, hand drums from around the world, Steinberger XLII bass guitar, recording & editing.

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about

Moore/Myers Ohio

Having spent years as a keyboardist for many rock bands, Ken has recently expanded his music to include a wide variety of percussion instruments.
While guitarist, David Wayne Myers, and multi-instrumentalist, Ken Moore, had collaborated in the late 1980's, their music lives on through Auricle Music in Great Britain. Ken Moore continues to release music from his past, and also creates new sounds.
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Track Name: Black Hole
2001: A Space Oddity
Track Name: Nebula
2001: A Space Oddity
Track Name: Sonic Void
2001: A Space Oddity
Track Name: Stardust
2001: A Space Oddity
Track Name: Hemisfear
2001: A Space Oddity
Track Name: Non-Entity
2001: A Space Oddity
Track Name: Sataluna
2001: A Space Oddity
Track Name: S.E.T.I. E-room
2001: A Space Oddity