Anvil Creations: A Musical History V.1, by Anvil Creations/Ken Moore

Anvil Creations: A Musical History V.1

by Anvil Creations/Ken Moore

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1.	Ken Moore - Blue Dexter II 03:12	info	buy track
2.	Ken Moore - Ten Mile to a Bus Ten 05:25	info	buy track
3.	Ken Moore - Multi Besso 01:52	info	buy track
4.	Ken Moore - A Field With Flowers and a Toilet 05:42	info	buy track
5.	Ken Moore - Loubi Stem 01:27	info	buy track
6.	Ken Moore - Half Track Machine 06:37	info	buy track
7.	Ken Moore - In a Pound of Logic 06:27	info	buy track
8.	Ken Moore - Xanthic 10:29	info	buy track
9.	Ken Moore - The sWord 16:38	info	buy track
10.	Ken Moore - Mutating Dejection 04:41	info	buy track
11.	Ken Moore - Prelude 04:53	info	buy track

about

This is a compilation of recordings made in the 1970's. Some are crude originals, others are first recordings done at Anvil Creations Studio. Two exceptions are tracks 8 and 9 which were recorded on location at McCormick's Hunt Valley Inn, in Cockeysville, Maryland, on a Yamaha grand piano. The mellotron recordings were done at U.M.B.C's electronic music studio in Catonsville, Maryland, and must be considered exceptions as well.

credits

released November 11, 2011

Anvil Creations is the name used for the earliest cassette releases of music created by solo artist, Ken Moore. Anvil Creations Studio is the name given to the private recording space containing all of Ken's musical and recording equipment. All compositions are owned by the artist, and some may have appeared on various album releases in previous years, using the Anvil Creations label.
The cover for Volume 1 uses graphics from M.C.Esher's artwork and design by Ken Moore.

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about

Moore/Myers Ohio

Ken Moore has been using sound as music since 1975. This site began as a promotion for the Moore/Myers band, which released two albums in the 1980s. Now, Ken has expanded his talents to include percussion and abstract recordings from the Gong Room. With the addition of Short Story, ACS is creating even better adventurous sounds, more than ever before. ... more

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